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SINO DAILY
From 'Fat Years' to reality for Chinese author Chan Koonchung
by Staff Writers
Hong Kong (AFP) June 03, 2014


Brad Pitt breaks the ice with China visit after Tibet row
Shanghai (AFP) June 03, 2014 - Movie star Brad Pitt is visiting China with his partner, actress Angelina Jolie, effectively ending an unspoken ban after he angered communist authorities by appearing in the 1997 film "Seven Years in Tibet".

Jolie was in Shanghai on Tuesday to promote her latest film "Maleficent", a modern retelling of the life of Sleeping Beauty's arch-nemesis, along with three of their children, but Pitt seemed intent on keeping a low profile.

Right at this moment, they (the children) are in dim sum classes with their dad," Jolie said, referring to the popular southern Chinese cuisine.

The family visited a contemporary art museum and took walks in the commercial Chinese city, she said, but made no mention of the earlier controversy.

"It's been a wonderful experience for our family," she told journalists at Shanghai's luxury Peninsula Hotel, where the family is staying. Pitt did not appear at the news conference.

Pitt previously played Heinrich Harrer, an Austrian mountain climber who became friends with the Dalai Lama at the time of China's takeover of Tibet in 1950.

China considers Tibet part of its sovereign territory and has accused Tibetan spiritual leader the Dalai Lama, who now lives in exile, of seeking independence for the region.

The Hollywood Reporter said the controversy already appeared to be easing as Frenchman Jean-Jacques Annaud, who directed the Tibet film, was making the movie "Wolf Totem" backed by the state-run China Film Group.

Pitt has also appeared in advertisements in China for the Cadillac brand of US auto giant General Motors since last year.

On China's Twitter-like microblogs, few appeared to be aware of the ban -- which was never announced by Chinese officials -- but some criticised him for the role.

"Tibet separatist," said one under the name Guihaixiachong while another called him an "Anti-China celebrity".

Jolie said she was thrilled her latest film "Maleficent" had debuted at the top of the box office, raking in nearly $70 million in North America over the past weekend. The movie not only casts Jolie in the title role as the malevolent fairy but was also produced by the star.

"This type of film is really one you do for the audience. It thrills me that people are enjoying it and it's a success," she said.

Chan Koonchung's novel "The Fat Years", set in a China of the near-future where a dark moment of history has been erased from public memory, has never been published on the mainland.

The book released in 2009 presents a dystopian vision of 2013 in which China's rise coincides with the economic weakening of the West. Fiction chimed with reality when it was first released at the height of the financial crisis.

But its chances of being published in China were always going to be slim, given its allusions to the Communist Party's censorship machine and the way events such as the bloody Tiananmen Square crackdown 25 years ago this week have been virtually deleted from official history.

"My novels are unpublishable (in China)," said Chan in an interview in Hong Kong.

"When I wrote 'The Fat Years' in 2009, many mainland publishers came to me. But after they read the book they never came back."

The English translation of Chan's latest novel, "The Unbearable Dreamworld of Champa the Driver", was released in May.

It is an explicit and frequently coarse look at ethnic relations through the eyes of an urbanised, sex-obsessed Tibetan who makes his way from Lhasa to Beijing via complicated affairs with Han Chinese women.

It also has not found a mainland publisher.

"It's very anti-romantic," said Chan of the novel. "We all have a very romantic notion about Tibet but this novel is really anti-romantic. It's very direct."

Shanghai-born Chan nevertheless continues to live in Beijing, having moved there in 2000 to focus on writing about China after stints in Hong Kong, Taiwan and the United States. The 61-year-old says he has not faced interference and has had non-fiction works published in the mainland.

He says "enterprising" readers were able to access electronic copies of "The Fat Years" before they were removed from the Internet, while hard copies were briefly sold under-the-counter in some Beijing bookstores.

- 'The new normal' -

Both "Champa" and "The Fat Years" explore material obsessions in modern China, with Champa coveting his domineering Chinese boss's Toyota while she brings him back designer goods from Beijing.

"Young Tibetans are urbanised, educated, they listen to the same music, wear the same designer jeans and have the same aspirations as their counterparts elsewhere in urban China," said Chan.

"But they face subtle exclusions elsewhere. Landlords in Beijing for example will try to find a reason to turn them away -- not because they want to discriminate but because of the trouble involved. If you rent a house to an ethnic person from Tibet, you have to apply with the security bureau first for approval."

The self-congratulatory protagonist in "The Fat Years" meanwhile sips a Lychee Black Dragon Latte in Starbucks (which in the book has been bought out by a Chinese company) and is overcome by emotion when describing life in a placid Beijing -- where there are seemingly no unhappy memories.

"Every day I congratulated myself on living in China," says 'Chen' in the book. "Sometimes I was moved to tears I felt so blessed."

- Self-satisfied amnesia -

One of Chen's counterparts -- among the few characters determined to challenge the self-satisfied amnesia -- is searching for the entire month of February 2011, whose disappearance coincided with China's economic and cultural rise in the story.

A third of China's current population was born after the 1989 crackdown on pro-democracy protesters, and a huge swathe of those under 25 are ignorant of the event.

Online, hundreds of millions of Chinese now have unprecedented access to information but an army of censors deletes topics deemed sensitive, even the most oblique references to Tiananmen.

A Chinese equivalent of Wikipedia maintained by domestic Internet giant Baidu has no entry for the year 1989, let alone anything more specific.

In the book's preface Chan is quoted as saying he sought to show a regime that has silenced or absorbed its opponents and "how the public have bought into China's authoritarian model".

"The mentality of many Chinese has changed to wonder if maybe our government is doing something right -- it's more confident of its own system," said Chan, referring to China's increasing assertiveness in international relations.

While he is willing to write "unpublishable" books that confront problems in modern China, Chan has nevertheless made Beijing his home and sees nothing changing there for the forseeable future.

"I would think this is the new normal for China now and it's going to last at least 10, 15 years," he added -- shrugging off concerns over a slowing property market and rising debt levels.

"The economy will have hiccups, ups and downs, maybe a serious crisis. But even if it slows down, China will still be rising. This is something the world will have to accept -- that China's rise may be unstoppable."

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